A Library of Music Articles from around the Internet

LINKS A Library of Music Articles from around the Internet

I decided to try something different today.

I have a little gadget that suggests links from around the web every time I write a blog post.  It’s suggestions are based on the keywords that it recognizes in whatever it is I’m writing.  It’s not a gadget I use a lot for this particular blog, but I thought it might make for a fun type of blog post for today.

I’m going to feed it a bunch of keywords, let it suggest a bunch of articles for me, then I’m going to pass on the links that I like to you guys.  I thought this might be a fun way to discover some new sites or read about some interesting things.

Here are some of the links it suggested:

Let me know what you think of this?  Is it interesting to link to random music articles?  Is it worth doing it regularly?  Like say, once a month?  Twice a month?

FACEBOOK A Library of Music Articles from around the InternetTWITTER A Library of Music Articles from around the Internet

 A Library of Music Articles from around the Internet

Related Posts:

The Strangeness of Sound

THINKING DIFFERENTLY The Strangeness of Sound

NOTE:  This is another post from Jim that came as we were writing some thoughts about writing for BHP.  He originally wrote this in May of 2009 -Jason

This week I’ve been working on a few things I’ve had laying around on my music project drive since before time began.  Okay, maybe not that long, but for several years at least.

Some of the things are just songs that I abandoned for whatever reason–I didn’t know how to finish it, I lost interest in it, or I just forgot about it– while others are songs that, at the time, I wrote, but really had no home musically for me at the time (i.e. they didn’t fit in the musical projects/band I was working with at the time).

So, as I’ve gone through some of my old bits and baubles, carefully listening to each, and I’ve come to two realizations:  First, on a few of  these tracks, it’s readily obvious why I abandoned them.  They were stale and very derivative of the work and whatever phase I was in at the time I was doing them.  Honestly, going back to them now, they feel bereft of any real creativity on my part.  They lack soul, and deserve to rest in peace.

The second eye-opener came to me while listening to those tracks that I considered keepers–the ones I think are destined to be something someday, dang it –  when I realized just how important “in the moment” recordings are.

As I’ve previously noted at length, I’m a by the ear player and writer.  I don’t read sheet music.   I know, really, nothing of musical theory.  I, essentially, just go by what my ear tells me is good.   So, when it comes to recording my inspiration I usually not only tab it out for prosperity sake I also make sure to record it using any means possible  future reference (for the record, I’ve even sent myself a recording via voicemail once).

Why go through this extra step of making sure you get a recording?  Well, as any rock god wannabe who’s picked up a copy of Guitar World or Guitar Player will tell you: Tab is not the end all to playing a song correctly or even well.   Sure, you could play all the notes just as they are written down, but without that sense of groove, that sense of the song’s soul, you really aren’t playing the song.

The strangeness of sound is that an “E” isn’t always an “E”.  Sometimes the E is slightly distorted from the  heavy pick attack used to play it. Sometimes the E  is a soft, almost ghostly tone, brought forth with a light caress of a ring finger.   Sometimes the E is in one of the million degrees between they two, and that’s why reference recordings are so important.   Who of us hasn’t worked out a masterpiece the night before writing it down or committing it to memory only to re-approach the following day, or heaven forbid, days later only to ask ourselves “This is what I thought was so great?”  Chances are no, no it isn’t.  Because while we remember the notes, the chords, and  the progressions we’ve lost the grove, the vibe, the soul of what we were playing.

So, do yourself a favor, make a reference recording for everything you do no matter where you are at the time.  Be prepared for inspiration.  In today’s digital age, there’s no reason not to.

FACEBOOK The Strangeness of SoundTWITTER The Strangeness of Sound

 The Strangeness of Sound

Related Posts:

Record Record Record!

SIMPLE ADVICE Record Record Record!

Always record.

That is my motto…  I’ll say it again…

Always Record.

A lot of you might already live by this motto, but for those of you who don’t, recording is the greatest tool available for people wanting to explore creative music.  The great thing is, these days if you have a computer, you have the tools necessary to begin recording… and I’m going to guess that most of you reading this blog have access to a computer.

There are a couple reasons why recording is important when it comes to writing creative music:

-Creative inspiration is often a sudden thing.

How often have you been fiddling with music in some way, and you come across a great idea… a guitar riff, a piano chord progression, a drum beat, a great lyrical hook… but by the time you get around to trying to write down your idea, it’s gone.  It’s happened to all of us, and the sad thing about it is trying to recreate the idea later rarely leads to an idea as great as the original.

If you get used to the idea of recording your ideas rather than just finished songs, you’ll be more likely to get your ideas down when inspiration hits the first time.

I have my computer set up so that recording is an easy task.   My instruments are plugged into my computer at all times, so if I’m playing and I come up with a good idea, I just have to open my recording software, and I’m ready to go.  Convenience is the key.  The reason that I always have my gear set up… if I had to put down my guitar or get up from behind my keyboard, just so I could take the time to hook up some stuff to put down an idea that I might not ever use again…. I probably wouldn’t do it.  But since everything is hooked up all the time, it takes hardly any effort at all to hit record and lay down my ideas.

-You never know when you’ll come back to an idea

Just recently I’ve finished a song that I started over 8 years ago.

The main riff of a song was… well… it was weird.  I was messing around with my guitar, and kinda came up with a technique that was out of the ordinary.  I didn’t really know how to use it in any song that I was already working on, so I recorded it as a stand alone riff.  I put a simple chord progression after it to serve as a second part, had some canned drums from my keyboard behind it, and set it aside.

It sat there for 8 years, because as I was trying to write songs with bands, my bandmates and I always agreed… it’s just too odd.

Several months ago I decided I was in the mood to mess around with some “outside the box” (that’s my new favorite musical term) ideas,  and I started looking through old ideas of mine.  I ended up finishing the song, even though I hadn’t touched it for almost a decade.

If I wouldn’t have recorded that idea, I would’ve forgotten about it a long time ago.

-Sometimes it takes musical layers to get that creative sound you’re looking for

Sometimes a guitar chord progressions seems very ordinary…. until it has a harpsichord melody and a pan flute harmony over top of it.

If you’re a musician who writes by yourself, it’s hard to pull that off all at once.

But if you record the guitar part, it’s easy to play the other parts over the top of it later.

It’s that kind of creative layering and building that isn’t possible for solo song writers without the option of recording parts.

Okay, so I’m interested, but I’ve never recorded before

For those of you who haven’t messed with computer recording before, you should give it a try.

I’d start by going to http://www.reaper.fm.  Download Reaper.  It’s a GREAT recording tool… in my opinion it does everything that the big boys (like Pro Tools) does.  When you download it, it’s fully functional.  Try it out, play with it, and if you like it, it’s very cheap to register it.  I think it’s $60 (instead of hundreds of dollars like other software packages).

Then poke around the website.  Read the documentation, then head to the forums.  There is lots of easy to understand information that will get you started.

And honestly, if you have a computer and any kind of instrument and/or mic, you’re on your way.

It’s definitely worth it.

Related Posts: